All of our shows are cast by open audition. Because we are a community theater we are unable to cast AEA members. While always seeking the best actors for each role, Attic Salt Theatre Company does not and shall not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations.
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Attic Salt Theatre Company presents Venus in Fur, by David Ives
Attic Salt Theatre Company will be producing Venus in Fur in April of 2026. We are seeking actors to fill the roles below. Auditions will be held at Attic Salt Theater Arts Space, 2002 Riverside Dr., Studio 42-O in Woodfin on Saturday and Sunday, February 28 and March 1st, from 3pm to 7pm on both days. Callbacks will be held on Tuesday, March 3rd 6:30-9:30pm, at the same location.
Sides are provided below and will be available at the audition.
All roles are paid a stipend of $200!
Please see the details of the show below, as well as the character breakdown. For more information, please email [email protected]. Hope to see you there!
______________________________
Attic Salt Theatre Company will be producing Venus in Fur in April of 2026. We are seeking actors to fill the roles below. Auditions will be held at Attic Salt Theater Arts Space, 2002 Riverside Dr., Studio 42-O in Woodfin on Saturday and Sunday, February 28 and March 1st, from 3pm to 7pm on both days. Callbacks will be held on Tuesday, March 3rd 6:30-9:30pm, at the same location.
Sides are provided below and will be available at the audition.
All roles are paid a stipend of $200!
Please see the details of the show below, as well as the character breakdown. For more information, please email [email protected]. Hope to see you there!
______________________________
Attic Salt Theatre Company is seeking two talented actors for their upcoming production of Venus in Fur, by David Ives
Auditions will be held at Attic Salt Theater Arts Space, 2002 Riverside Dr., Studio 42-O, Woodfin on February 28th and March 1st from 3pm to 7pm. Callback auditions will be held on March 3rd at 6:30pm.
Pay for all roles is $200.
Rehearsals: evenings (and two weekend days) starting March 15 until opening (no Fridays or Saturdays)
Performances: April 17-May 3: Fridays & Saturdays, 6:30pm call time; Sundays, 1:30pm call time.
All rehearsals and performances at Attic Salt Theater Arts Space, 2002 Riverside Dr., Studio 42-O, Woodfin. Additional performances might be added with ample warning time and based on the availability of the cast and crew.
VENUS IN FUR
Written by David Ives
Directed by Jeff Catanese
Desperate director Thomas Novachek auditions a seemingly uncouth actress named Vanda for his play based on an 1870 erotic novel. As she reads, she transforms, taking control of the audition and inverting the power dynamics in a tense, funny, and seductive battle of wits that blurs the lines between reality and the play’s S&M fantasy.
Triggers: Partial Nudity; Frank Talk of Sex, Sexual Control, Submission, and Domination; Adult Language.
Physical Ability: Must be able to sit, walk and kneel (both roles); change clothes quickly, use a flogger (Vanda)
Roles:
• Vanda Jordan/Vanda (Age: 20s-40s; Race: Any; Gender: Female presenting)
Intimacy: Appears in bra and panties at several points in the play. Engages in mild fetish play.
Initially, Vanda is an enigma. She comes off as brash and vulgar, but as we experience her “audition,” we see that she is very intelligent, empowered and off-putting in any way she decides to be. Her transformation suggests that there’s always more that we are not seeing. Vanda is the comedic and powerful center of the play as she goes from hapless actress to skilled dominatrix to the Goddess of femininity herself.
• Thomas Novachek/Severin (Age: 20s-40s; Race: Any; Gender: Male presenting)
Intimacy: Is in the presence of a partially nude (bra and panties) female. Engages in mild fetish play.
At the top of the show, Thomas is how we stereotypically imagine most writer/directors: self-assured, narcissistic and impatient. Once Vanda enters and asserts her position, we find him more vulnerable than even he thought. As they read his play together, Thomas finds himself losing the power and entitlement his life had provided him.
Audition Sides:
Auditions will be held at Attic Salt Theater Arts Space, 2002 Riverside Dr., Studio 42-O, Woodfin on February 28th and March 1st from 3pm to 7pm. Callback auditions will be held on March 3rd at 6:30pm.
Pay for all roles is $200.
Rehearsals: evenings (and two weekend days) starting March 15 until opening (no Fridays or Saturdays)
Performances: April 17-May 3: Fridays & Saturdays, 6:30pm call time; Sundays, 1:30pm call time.
All rehearsals and performances at Attic Salt Theater Arts Space, 2002 Riverside Dr., Studio 42-O, Woodfin. Additional performances might be added with ample warning time and based on the availability of the cast and crew.
VENUS IN FUR
Written by David Ives
Directed by Jeff Catanese
Desperate director Thomas Novachek auditions a seemingly uncouth actress named Vanda for his play based on an 1870 erotic novel. As she reads, she transforms, taking control of the audition and inverting the power dynamics in a tense, funny, and seductive battle of wits that blurs the lines between reality and the play’s S&M fantasy.
Triggers: Partial Nudity; Frank Talk of Sex, Sexual Control, Submission, and Domination; Adult Language.
Physical Ability: Must be able to sit, walk and kneel (both roles); change clothes quickly, use a flogger (Vanda)
Roles:
• Vanda Jordan/Vanda (Age: 20s-40s; Race: Any; Gender: Female presenting)
Intimacy: Appears in bra and panties at several points in the play. Engages in mild fetish play.
Initially, Vanda is an enigma. She comes off as brash and vulgar, but as we experience her “audition,” we see that she is very intelligent, empowered and off-putting in any way she decides to be. Her transformation suggests that there’s always more that we are not seeing. Vanda is the comedic and powerful center of the play as she goes from hapless actress to skilled dominatrix to the Goddess of femininity herself.
• Thomas Novachek/Severin (Age: 20s-40s; Race: Any; Gender: Male presenting)
Intimacy: Is in the presence of a partially nude (bra and panties) female. Engages in mild fetish play.
At the top of the show, Thomas is how we stereotypically imagine most writer/directors: self-assured, narcissistic and impatient. Once Vanda enters and asserts her position, we find him more vulnerable than even he thought. As they read his play together, Thomas finds himself losing the power and entitlement his life had provided him.
Audition Sides:
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